G. Giannachi

Most-cited papers

From interaction to trajectories: designing coherent journeys through user experiences
S. Benford, G. Giannachi, B. Koleva, T. Rodden
2009International Conference on Human Factors in Computing Systems346 citations Open access
Semantic Scholar
Uncomfortable interactions
S. Benford, C. Greenhalgh, G. Giannachi, Brendan Walker +2 more
2012International Conference on Human Factors in Computing Systems343 citations
Semantic Scholar
Performing Mixed Reality
S. Benford, G. Giannachi
2011275 citations
Semantic Scholar
Performance-Led Research in the Wild
S. Benford, C. Greenhalgh, A. Crabtree, Martin Flintham +8 more
2013TCHI165 citations Open access
Semantic Scholar
Temporal trajectories in shared interactive narratives
S. Benford, G. Giannachi
2008International Conference on Human Factors in Computing Systems104 citations
Semantic Scholar
Archaeologies of presence : art, performance and the persistence of being
G. Giannachi, Nick Kaye, M. Shanks
201290 citations
Semantic Scholar
A conversation between trees: what data feels like in the forest
Rachel Jacobs, S. Benford, M. Selby, Michael Golembewski +2 more
2013International Conference on Human Factors in Computing Systems70 citations
Semantic Scholar
Virtual Theatres: An Introduction
G. Giannachi
200462 citations
Semantic Scholar
Digital humanities and crowdsourcing: an exploration
Laura Carletti, G. Giannachi, Dominic Price, Derek McAuley +1 more
201358 citations
Semantic Scholar
The Ethical Implications of HCI's Turn to the Cultural
S. Benford, C. Greenhalgh, Bob Anderson, Rachel Jacobs +9 more
2015TCHI57 citations Open access
Semantic Scholar
Archaeologies of Presence
G. Giannachi, Nick Kaye, M. Shanks
201249 citations
Semantic Scholar
Representing, Performing and Mitigating Climate Change in Contemporary Art Practice
G. Giannachi
2012Leonardo: Journal of the International Society for the Arts, Sciences and Technology48 citations
Semantic Scholar
Creating the spectacle: Designing interactional trajectories through spectator interfaces
S. Benford, A. Crabtree, Martin Flintham, C. Greenhalgh +6 more
2011TCHI44 citations
Semantic Scholar
Interaction as performance
S. Benford, G. Giannachi
2012INTR38 citations
Semantic Scholar
A Magic Leap in Tourism: Intended and Realized Experience of Head-Mounted Augmented Reality in a Museum Context
Jonathan M. Bird, P. A. Smart, D. Harris, Laura A. Phillips +2 more
2022Journal of Travel Research36 citations Open access
Semantic Scholar
Archive Everything: Mapping the Everyday
G. Giannachi
201635 citations
Semantic Scholar
Uncomfortable user experience
S. Benford, C. Greenhalgh, G. Giannachi, Brendan Walker +2 more
2013CACM35 citations
Semantic Scholar
Performing Nature: Explorations in Ecology and the Arts.
N. Stewart, G. Giannachi
200529 citations
Semantic Scholar
On directing : interviews with directors
G. Giannachi, M. Luckhurst
199922 citations
Semantic Scholar
Art Maps--Mapping the Multiple Meanings of Place.
Rebecca Sinker, G. Giannachi, Laura Carletti
201319 citations
Semantic Scholar
Acts of Presence: Performance, Mediation, Virtual Reality
Nick Kaye, G. Giannachi
2011TDR: The Drama Review18 citations Open access
Semantic Scholar
The Politics of New Media Theatre: Life®™
G. Giannachi
200617 citations
Semantic Scholar
Histories of Performance Documentation : Museum, Artistic, and Scholarly Practices
G. Giannachi, J. Westerman
201716 citations
Semantic Scholar
"Act natural": instructions, compliance and accountability in ambulatory experiences
P. Tolmie, S. Benford, Martin Flintham, P. Brundell +4 more
2012International Conference on Human Factors in Computing Systems13 citations
Semantic Scholar
Discomfort - The Dark Side of Fun
S. Benford, C. Greenhalgh, G. Giannachi, Brendan Walker +3 more
2018Funology, 2nd ed.12 citations Open access
Semantic Scholar
Blast Theory's Rider Spoke, its Documentation and the Making of its Replay Archive
G. Giannachi, Duncan Rowland, S. Benford, Jonathan Foster +2 more
201011 citations
Semantic Scholar
Day of the Figurines: Supporting Episodic Storytelling on Mobile Phones
Martin Flintham, G. Giannachi, S. Benford, M. Adams
2007International Conference on Virtual Storytelling11 citations
Semantic Scholar
Staging the Post-Avant-Garde: Italian Experimental Performance after 1970
G. Giannachi, Nick Kaye
200211 citations
Semantic Scholar
San Francisco Museum of Modern Art | The Art of Participation: 1950 to Now
G. Giannachi
2009Digital Creativity9 citations
Semantic Scholar
Expanding Documentation, and Making the Most of ‘the Cracks in the Wall'
Annet Dekker, G. Giannachi, V. van Saaze
20178 citations
Semantic Scholar
ArtMaps: Interpreting the Spatial Footprints of Artworks
Tim Coughlan, Laura Carletti, G. Giannachi, S. Benford +5 more
2015International Conference on Human Factors in Computing Systems8 citations Open access
Semantic Scholar
Moving Spaces Enacting Dance, Performance, and the Digital in the Museum
S. Franco, G. Giannachi
20217 citations Open access
Semantic Scholar
At the edge of the ‘living present’
G. Giannachi
20176 citations
Semantic Scholar
Exposing globalisation: Biopolitics in the work of critical art ensemble
G. Giannachi
20066 citations
Semantic Scholar
Technologies of the Self-Portrait
G. Giannachi
20225 citations
Semantic Scholar
Into the Space of the Digital Museum
G. Giannachi
2021Moving Spaces Enacting Dance, Performance, and the Digital in the Museum5 citations Open access
Semantic Scholar
Temporal Convergence in Shared Networked Narratives: The Case of Blast Theory's Day of the Figurines
S. Benford, G. Giannachi
2009Leonardo: Journal of the International Society for the Arts, Sciences and Technology4 citations Open access
Semantic Scholar
Temporal Expansion in Blast Theory's Day of the Figurines
G. Giannachi, S. Benford
2008PAJ : Journal of Performance and Art4 citations
Semantic Scholar
San Francisco Museum of Modern Art
G. Giannachi
20173 citations
Semantic Scholar
Mediating Performance through Virtual Agents
G. Giannachi, M. Gillies, Nick Kaye, David Swapp
2009International Conference on Intelligent Virtual Agents3 citations
Semantic Scholar
Framing Humans for AI
G. Giannachi
2023JOLMA2 citations Open access
Semantic Scholar
Documentation as Art
A. Dekker, G. Giannachi
20222 citations
Semantic Scholar
How Tate Modern Became the Musée de la Danse
G. Giannachi, P. Tolmie, Acatia Finbow
20182 citations
Semantic Scholar
ArtMaps: A Technology for Looking at Tate’s Collection
G. Giannachi, Rebecca Sinker, John Stack, Cristina Locatelli +5 more
2017Leonardo: Journal of the International Society for the Arts, Sciences and Technology2 citations Open access
Semantic Scholar
Structures for knowledge co-creation between organisations and the public: (cop2014)
Laura Carletti, Tim Coughlan, J. Christensen, E. Gerber +4 more
2014CSCW Companion2 citations
Semantic Scholar
Time Trails: presencing digital heritage within our everyday lives
G. Giannachi, W. Barrett, P. S. Farley, Andrew V. Chapman +3 more
20142 citations Open access
Semantic Scholar
Documenting mixed reality performance: the case of CloudPad
G. Giannachi, H. Lowood, Glen Worthey, Dominic Price +2 more
2012Digital Creativity2 citations Open access
Semantic Scholar
Looking back: a conversation about presence, 2006
T. Etchells, G. Giannachi, Nick Kaye
20122 citations
Semantic Scholar
The Making of Empty Stages by Tim Etchells and Hugo Glendinning
G. Giannachi
20112 citations
Semantic Scholar
Lynn Hershman Leeson in Conversation with Gabriella Giannachi
L. H. Leeson, G. Giannachi
2010Leonardo: Journal of the International Society for the Arts, Sciences and Technology2 citations
Semantic Scholar