(Not) Kramer vs. Kumar: The Contemporary Bollywood Remake as Glocal Masala FilmR. Richards20116 citationsSemantic ScholarSave
For the Love of Cinema: Teaching Our Passion In and Outside the ClassroomR. Richards, David T. Johnson20173 citationsSemantic ScholarSave
Love, Desi Style: Arranged Marriage and Transnational Mobility in Mira Nair’s The NamesakeR. Richards20172 citationsSemantic ScholarSave
Unsynched: The Contrapuntal Sounds of Luis Bunuel's L'Age d'OrR. Richards20082 citationsSemantic ScholarSave
Translating Cool: Cinematic Exchange between Hong Kong, Hollywood and BollywoodR. Richards20180 citationsSemantic ScholarSave
ENGL485-01, Senior Seminar: Transnational Literature and Film, Fall 2012R. Richards20120 citationsSemantic ScholarSave
ENGL 381-01, Tough Guys, Dangerous Dames, and Streets with No Name: American Film Noir, Spring 2011R. Richards20110 citationsSemantic ScholarSave
ENGL 241-01, From Hollywoodland to Planet Hollywood: History of American Cinema, Fall 2010R. Richards20100 citationsSemantic ScholarSave
ENGL 245-01, Chick Flicks and Macho Movies: Gender Genre and American Cinema, Spring 2010R. Richards20100 citationsSemantic ScholarSave
ENGL 381-01, The Good Old Days: Fifties American Cinema, Fall 2010R. Richards20100 citationsSemantic ScholarSave
ENGL 241-01, From Hollywood to Planet Hollywood, American Cinema: History and Criticism, Fall 2008R. Richards20080 citationsSemantic ScholarSave
Show-Stoppers: 1937 And The Chance Encounter With ChiffonsR. Richards20070 citationsSemantic ScholarSave
The ContributorsJ. Ernest, James C. Fairfield, R. Friedman, R. Richards +2 more20070 citationsSemantic ScholarSave
